![]() ![]() ![]() We trace the development of television (in the US but within a global context) from its conception through its industrial, technical, aesthetic and textual development to understand how American broadcast television emerged as a dominant cultural force around the world. television through the network era (40s-90s) as a cultural history of the medium and a subject for critical engagement by media studies scholars. (Formerly FMS 0024, Cross-listed as TPS 0024) This core course examines the introduction and development of U.S. Television History) for all FMS majors offered every spring of odd year (2019, 2021, etc.) This course counts toward the Arts distribution requirement.įMS 0006 20th Century U.S. Required core course (or FMS 0006 20th Century U.S. Finally, we will survey world cinema since the 1970s, focusing on the changes that have occurred in mainstream Hollywood filmmaking and the contributions to film art of filmmakers in Hong Kong and other non-western countries. ![]() We will consider the impact of WWII on film history the emergence of Italian Neo-Realism and "modernist" art cinema in the late 1940s and 1950s the New Waves of the late 1950s and political modernist, post-colonial, feminist and other radical forms of filmmaking that arose in response to the political crises of the 1960s. We will see how European filmmakers on both the Left and Right responded to the increasing political turmoil in the lead-up to WWII in the 1930s while filmmakers in Japan created popular traditions of filmmaking. We will then turn our attention to the development of "classical" narrative film in the US in the 1900s and 1910s the creation of alternatives to classical cinematic storytelling in the 1920s in France, Germany, the Soviet Union and elsewhere the rise of documentary and experimental film and the coming of synchronized sound in the late 1920s. We will begin with the emergence of the technologies for making and exhibiting films around 1894 and the major genres of early cinema (1895-1904), most of which were non-narrative. (Formerly FMS 0021, Cross-listed as ILVS 0052,) This course surveys the rich history of film art. This course counts toward the Arts distribution requirement.įMS 0002 Global History of Cinema. Required core course for all FMS majors and minors offered every fall. Recommended for first and second year students. No prior study of cinema or other moving image media is required. Theoretical concepts relevant to moving image art, principally genre, authorship, and character identification, will also be considered. ![]() We will then consider the extent to which cinema's aesthetic features are shared by television, as well as what is artistically distinctive about TV. We will watch a variety of films from the US and abroad that exemplify cinema's myriad forms and styles: mainstream and avant-garde, fiction and non-fiction, narrative and non-narrative, black-and-white and color, silent and sound. We will study cinema’s principal, as well as its major narrative and non-narrative forms. (Formerly FMS 0020, Cross-listed as ILVS 0051) This course begins with cinema, the first art of the moving image. ![]()
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